About

We started this becausethe queue never stops.

An editing studio for film studios and brands. Here is how it began, how it runs, and what we will not promise you.

Our story

From a backlogto a roster.

How the team is set up

Two of usSchedulingBriefsQuality bar

Editors

Each editor on named accounts, and never more than they can cut well.

01 / Where it started
A backlog nobody could clear
We started Reelix Content Creations after watching good footage sit unedited for weeks. Not because anyone was bad at their job, but because one person can only cut so much, and the queue never stops arriving.
02 / What we built
A roster, not a calendar
So we built the other side of it: a small group of editors, each with a named account, and two of us running the scheduling, the briefs and the quality bar. Nobody waits on one person's week.
03 / Where it is going
The edit team studios keep on retainer
The aim is unglamorous. Be the team a studio stops thinking about, because the work lands on the day it was promised, in the format it was promised, with their name on it and not ours.

How it runs

01
A named editor on your account
The same person cuts your work each month, so the brand rules get learned once instead of re-explained.
02
Editors are paid on delivery
Per deliverable, not per hour, and not when your invoice clears. We carry that wait, not them.
03
A cap on accounts per editor
Past a certain number, turnaround and consistency slip and the client finds out last. We turn work down rather than staff it badly.
04
We guarantee what we control
Deliverables and deadlines. We do not publish your posts, buy your media or run your account.
05
Invisible on purpose
White-label by default. No watermark, no credit, files named the way you name them.
06
Everything in writing
Scope, dates and price agreed before anyone opens a timeline, so there is nothing to argue about later.